Research on Brass Musical Instrument Taxonomy

This research is being carried out in the Faculty of Music and the Department of Physics and Astronomy by Arnold Myers, the Director and Curator of the University Collection of Historic Musical Instruments.

The project is original research into the identification and classification of brasswind instruments, based on a detailed comparison of internal measurements of instruments and mouthpieces, historical performance traditions and perceived behaviour of the instruments in use.

It is a common belief that the difference between one kind of brass musical instrument and another kind is largely a function of bore profile in instrument and mouthpiece. The research is testing this hypothesis and is attempting to identify and quantify a convenient set of parameters for bore profile which would provide a sufficient and unambiguous means of classifying brass instruments. This is being carried out in the acoustics laboratory of the Department of Physics and Astronomy of the University of Edinburgh and in the Edinburgh University Collection of Historic Musical Instruments, which houses a very comprehensive collection of brass instruments.

The bore profiles of a large number of brass instruments of different types is being analysed using state-of-the-art acoustic techniques. The research is drawing on the Edinburgh University Collection of Historic Musical Instruments and other sources of instruments including those believed to be typical of standard models. The research is attempting to bring order to the confused nomenclature of brass instrument types, in particular the instruments developed in the 19th century following the invention of the valve. The research is also attempting to draw some conclusions about different models of nominally similar instruments as used in different places at different historical times. The existence of national schools of instrument design is being examined.

Finally, the research is investigating the possibility of the further invention in the field of brass instrument design: whether or not the profusion of new instrument patterns in the 19th century exhausted all the possible viable bore profiles, or whether a distinct new type of brass instrument could be made.

Progress so far

There has been progress towards the goal of codifying procedures for the identification and classification of brass instruments, based on a detailed comparison of internal measurements of instruments and mouthpieces, acoustical measurement in the laboratory, historical performance traditions and perceived behaviour of the instruments in use.

Measurements have been taken in various collections in Europe and America. A PhD thesis has been successfully completed:

Publications